the writer's arsenal: digital baggage

Writers today have a plethora of digital tools at their disposal to, ideally, make their lives easier when it comes to mapping out ideas, and writing anywhere, anytime. (That's right. Plethora. Thank you, online thesaurus, for example!) But this is one of those cases where too much can potentially be a bad thing, or at least, a complicated thing, involving too many software and service options.

I recently downloaded a master password keeping app (1Password if you're interested), deciding it was time to get the minefield that is my online identity organized. The very thought of all those accounts I have out there (plus the ones I've made and undoubtedly forgotten about) is overwhelming. Services, online shops, online banking, site logins--the list goes on. Thanks to the master app, I'm now starting to feel a bit more organized with all my accounts and passwords (which I beefed up in the process) in one place, but the exercise has also brought to my attention the vital importance of a little digital housekeeping from time to time.

It's time to leave some of that baggage behind...

If spring is the time to clean house, then I propose fall be the time to organize the scope of our digital lives. I firmly believe organization is the key to productivity so if you're having trouble in that area or even if you're just feeling bogged down by all the services you're signed up for, here are a few tips to get you moving in a better direction:

1. Are your apps holding you back? Mine were. And not just because I didn't have enough space to upgrade the software on my iPhone. I simply had too many apps kicking around that I downloaded to "check out", but the problem was, most of them had been downloaded for the same purpose--I wanted somewhere to write on the go. But after a while, I had so many of them that I couldn't remember which was which. I couldn't remember which ones I liked. I couldn't remember which ones I'd synced to the cloud or which ones were even capable of that. It was time for a major purge. After categorizing my various apps into folders, I started the process of opening each one to remind myself of how it worked and whether or not I liked using it. If anything about it didn't meet my needs, I ditched it. Even if there were aspects of it I did like, I don't have time for multiple apps that do the same thing. In the end, I isolated a trio of writing apps that each serve a distinct purpose, including one for writing on the go, and I trashed the rest, deleting related accounts as I went. I then did this with the rest of my apps, cleaning up anything I wasn't really using. I could already feel the digital burden on my shoulders getting lighter.

2. Next up was cloud storage services. Most of us don't only subscribe to one, even if we didn't make that decision consciously. But doesn't it feel a bit scattered to have your online storage be so, well, scattered? I found myself signed up for several of these online storage services (again to try them out in an effort to find the one I liked best, or sometimes because of a promotion offering extra GBs for free). It got to be a bit much. So I made a list of all the services I was signed up for and started to cull the list where I could (again, closing the accounts of anything I no longer planned to use). I still find myself with multiple accounts--Google Drive, iCloud, and a few others can be unavoidable--but the ones I've kept each serve a distinct purpose and now that I've got myself organized, I can start to use each one more effectively than ever (including the use of a highly secure service, Tresorit, to back up my most sensitive documents).

3. Email. Oh email. You started out so simple once upon a time. I had one email address to meet all my needs. But that has somehow spiralled out of control to the point where I have several. As with cloud storage, there is a certain amount of necessity to it, with different emails being used for different purposes, but still, there are extras that can go. Again, I made a list of all the email accounts I've accumulated over the years so that I can decide which ones to keep and which to shut down. Even if you find yourself keeping several, as I did, it's good to have them catalogued in some way, to have them on your radar, and again, to take the opportunity to strengthen any passwords that you created back before online security was the issue it is today.

4. Which brings me to my final (for now) note about digital baggage--if you're anything like me, you have more miscellaneous online accounts than you can account for (see what I did there?). It's not easy, but it's really important (and ultimately very rejuvenating) to make a list of all the online accounts you can think of, make sure that you close accounts you don't use anymore, and securely lock down anything you do (especially if it's linked to personal information or banking info). Trust me, the very act of having an inventory of all the accounts you own goes a long way toward feeling more organized and in control of your digital footprint.

Now that that's taken care of, I can focus on writing my next WIP, and because of the work I put into cataloging/culling things now, the exercise of tidying things up again next year should be a breeze :)

What do you do to keep your digital baggage from getting too heavy?

it's amazing what you can do

Motivation is not always easy to come by. But it's something writers need to get the job done. Often we'll feel motivated at the most inconvenient times (in the shower, as we're falling asleep) but that's what mad dashes to find pen and paper are for :) The key is to stay motivated and excited about a project until you're able to see it through.

Chocolate can be an excellent motivator ;)

Motivation is how I usually decide which project to work on next. Which idea am I most excited about? Which one am I most likely to not give up on? One of the biggest problems people who start writing books but never finish experience is a sudden lack of interest in where the story is going. Some call it writer's block. But really, it's a lack of motivation. Finishing a novel is all about getting the words down on the page, no matter what. 

I've come to believe it's possible to learn to motivate yourself. I'm finally in a position where I can get myself in gear fairly easily, but with a newborn at home, I have to find creative ways to facilitate that motivation. But that's the great thing about motivation. It moves you to take action. And that's why you sometimes see witty prose scrawled on napkins, or, as I've recently discovered, the beginnings of a new WIP typed with one hand into a smartphone writing app. I'm going to have to format the crap out of it later, but at least I'm taking advantage of the motivation when it strikes :)

What do you do to keep yourself motivated?

one day at a time, with an eye on tomorrow

It's been hard to find time to blog lately. It's been hard to find time to do much of anything lately. My infant son turns one month old today. Need I say more?

I've been blessed with a baby who sleeps surprisingly well at night (so far--knock on wood) which means he occasionally doesn't sleep well during the day. I'm not complaining. But I am ambitious and I often end up feeling like I've accomplished nothing in a day. That's okay. I know the early weeks after giving birth should primarily be spent making sure both the baby and I eat and sleep and keep breathing. If that's all a new mother accomplishes in a day, she's doing her job. 

But I'm also close to finishing work on my fourth novel. Painfully close. So close I just want to finish revisions so that it isn't sitting nearly ready on my desk anymore. So I'm working on it when I can. I've learned it's possible to revise a book in small chunks. I've also learned it's possible to revise a book while nursing and with a baby sleeping on your chest. It's not ideal. But that's okay. Sometimes you have to step back and remind yourself to take things one day at a time. And if things don't go as planned, you can hope tomorrow will be better. The ability to do that is something worth valuing. Robin Williams' recent suicide was a painful reminder of the fact that not everyone is able to always see things that way. But, though cliche, it's true. Tomorrow is full of possibility. No bad day can't be conquered by that hope. But you have to remind yourself to hold onto it. It's what moves us forward. 

Another thing I've learned is that I can blog from my phone with one hand. This entire post was written that way. Again, it's not ideal, but it's okay. I know it won't be like this forever :)

the end of the tunnel (<-- not meant to be a pregnancy pun)

Well, it's been a while, but I'm happy to say the below is a thing:

That's right. The first draft of You'll Never Know Me is finally complete. It's been a long haul--and an adventure taking on a new sub-genre of YA--but I'm happy to say that I hit the ground running when I stopped work two weeks ago and managed to get it finished before baby arrives.

Speaking of which, let's talk about the radio silence on this blog. Because it's been a while. I spent the bulk of May and the first half of June exhausted from pregnancy while I worked to wrap up my day job before officially going on mat leave. Since then I've been spending every day either preparing for baby or working intensely on YNKM. So now that all of that is out of the way, what's next?

Well for starters, I'm hoping to pop out this baby sometime in the next couple of days, and hoping I don't go overdue like I did with my daughter. Being this pregnant is the opposite of comfortable. And yes, I know I have sleep deprivation in my future. I know it better than I did the first time around. But still, I can't sit for more than 20 minutes without my spinal cord feeling numb, and above all, I can't wait to meet my son.

But baby stuff aside, I'm excited to dive in on revisions and hopefully, once the newborn insanity wears off, get this blog back in shape a bit too. In some ways, I feel like I've come full circle. Though it wasn't my first trip around the query track, it was back in 2012, during my first mat leave that I finished Unnatural and landed my amazing agent. Now here I am almost two years later, enduring a very tough market and still determined as ever to achieve my dream of being published. I've written two more books since finishing Unnatural. I've seen ups and downs and I feel like in some ways I can measure my agented publishing journey right alongside my journey as a parent, from mat leave to mat leave. It feels fitting to have finished the first draft of YNKM just as I'm about to give birth again. I feel full of hope and possibility (and baby. I feel full of baby too). Though, you might want to check in with me in a few weeks when I'm getting 2-3 hours of sleep a night and see how full of hope I feel then :)

So there's my update for now. I know the coming weeks are going to be hectic so I won't make any promises just yet about returning to a regular blog schedule, but my last mat leave was definitely more conducive to that than working full time was so I'm hopeful I can get back to something of a routine.

Until then, if you need me, I'll be in my newborn/revision cave. It involves a lot of coffee.

the writer's arsenal: pitch, query, back cover copy

Call it whatever you want--as a writer, at some point, you're going to have to sum up your story in a few short, hooky paragraphs. Starting out, you'll need this fine-tuned pitch or query blurb when you're approaching agents, then publishers (though once you have an agent, they will often help you position it to perfection!), and ultimately, if you land that elusive book deal, it will likely be the beginning of what copywriters will eventually turn into magical back cover copy a.k.a. those enticing lines on the back of book that make you decide to pop it in your cart instead of returning it to the shelf.

Many authors find it easier to write a multi-page synopsis than a shorter pitch (not to mention those one-liner loglines!), though I hear complaints about having to write all of the above. It's true that writing a pitch or synopsis requires a different skill set than writing a novel. A novel is pure creative whimsy while a pitch is a marketing piece. But that doesn't mean both aspiring and experienced authors don't need to know how to do it all. I know I don't have to tell you how important self-marketing is in today's publishing landscape. In fact, it really couldn't be more important. It's not enough to write your book, you need to be able to sell it--first to an agent, then to a publisher and then to a slew of readers, which might end up being the hardest sell of all.

Because so many authors find it so hard to writing a pitch, they often wait until a book is complete before they write it. Makes sense, right? Why write a blurb about a book when you don't even know how it's going to end? Well, my answer to that, being an outliner, is that you probably should have an idea as to how it's going to end, at least enough of one that you could write an enticing couple of paragraphs. For the first three novels that I wrote, I actually found it helpful to write the pitch first, with the primary focus on: what is the primary hook of this story? Were they perfect representations of the books I was about to write? No, but there was also nothing wrong with tweaking them as I went. The reason I found writing them first so helpful is because they helped me to stay focused. Outlines are great. I'm a big fan. But sometimes when you're writing, it's extremely helpful to read a succinct snapshot of what's at the heart of the story. It's always helped me to stay on track. In fact, the blurb I have posted here on the site for Skin Deep is extremely close to the original version I wrote before I dove in on chapter one of that book.

For my current WIP, tentatively titled You'll Never Know Me, I found myself at a complete loss trying to write a pitch before starting the story. It was the first time that had ever happened to me. I knew what I wanted the story to be about, but I had a difficult time coming up with the right words to describe it. You'll Never Know Me is my first real foray into writing straight-up contemporary YA and I think that had a lot to do with my inability to write the blurb up front. With both Unnatural and Skin Deep, I knew the hook. Each is a fantasy and the hook that drives each story is really clear. With YNKM, it's a far more character-driven story, and the hook seemed far more intangible at first. But now I find myself sitting close to the halfway mark and suddenly, everything seemed to fall into place. I just needed to hit the point in the first draft process where the big picture started to really come together.

Though my first dip into the contemporary YA pool has been more of a slow wade than a dive, having a blurb (which I can now reference) prepared gives me a lot more confidence in the direction I'm headed. I feel more steady about everything that's yet to be written. And if for no other reason (though it's just nice to have it nailed down), I think that's an excellent argument for forcing yourself to write that pitch/query/blurb/whatever you want to call it well before you finish writing the book. You might just find it pulling you up and over when that inevitible case of writer's block hits.

So without further ado, here is the (working draft) pitch for my first contemporary YA, You'll Never Know Me:

Louise Dunn hasn't recognized the world around her since the morning after her brother Neil’s senior prom, when she discovered his drowned body on the front lawn, with no explanation for how it got there. Buried beneath a grief she can’t seem to surface from, she stumbles through the ensuing summer, seeking solace in anything that can’t get inside her head. Then she discovers a hidden journal in Neil’s room, along with a stack of unfamiliar comic books, and everything changes.

It was no secret that Neil was gay. He’d come out the year before his death. But as Louise delves deeper into his pastimes and relationships, she discovers that maybe she didn’t know him as well as she thought, and what’s worse—things might’ve been different if she had. Between a series of unsettling encounters with Neil’s ex, and a sudden, unexpected connection with Matt, the fanboy clerk at the local comic shop, Louise finds she’s increasingly unable to ignore the tragedy that’s slowly suffocating her, and the walls she’ll have to tear down before she can start to live again.